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Hulu Renewed “Furious” Before Anyone Saw How It Ends

Networks almost never do this. Hulu renewed “Furious” for a second season on August 27, which is four days before anybody outside the production has seen how the first one ends. The finale drops Monday, August 31. The renewal landed the Thursday before. Whatever is in that eighth episode, the people who make the decisions had already decided they wanted more of it, and that is a genuinely unusual vote of confidence for a streamer that normally sits on a show for weeks watching the long tail before committing to anything.

If you have not been watching, the setup is deceptively simple. Alice Black (Emmy Rossum) is an FBI agent, formerly an NYPD homicide detective, hunting a female serial killer working her way through New York. The killer is Catherine (Lola Petticrew), a survivor of sex trafficking who targets wealthy, predatory men. Hulu’s own logline puts the hook plainly: the two women walk their own paths toward justice, and as their lives intertwine, the line between right and wrong starts to blur. It is loosely inspired by the 1987 film “Black Widow”, and Ronald Bass, who wrote that film, is an executive producer here. Warning beyond this point there are spoilers for “Furious” season 1, including the killer’s identity and her motive.

Whatever is in that eighth episode, the people who make the decisions had already decided they wanted more of it.”

The show is the work of Elizabeth Meriwether, and if that name is ringing a distant bell, she created “New Girl”. That is the fact that makes this whole thing interesting. The person who spent seven seasons writing Jess Day and a loft full of idiots has turned around and made a show that reviewers keep describing with words like Epstein and trafficking and female rage. It should not work as a career pivot. It has worked completely. Critics have been close to unanimous, with the series holding a 98 percent score from around 58 reviews and an 81 on Metacritic as of the renewal coverage this week.

The praise has been specific rather than polite, which is usually the tell that something real is happening. The AV Club called it “an incisive and empathetic look at female rage and the ways women are wronged or set up to fail before taking matters into their own bloody hands.” The Boston Globe went further and called it one of the best shows of the year. TVLine handed Petticrew a performer of the week nod for episode 5, which anyone who watched that hour will consider the bare minimum. Around them, Quincy Tyler Bernstine plays Nora Washington, who runs the FBI’s sex crimes unit, and Scoot McNairy is Danny Kelly, Alice’s old NYPD partner, with Jake Lacy, Rob Delaney, Hope Davis and Peter McRobbie filling out a cast that is deeper than the premise strictly requires.

Rossum has been clear about what she thinks the show is doing, and it is not a procedural. “It’s more about the women at the center of it than it is about the bad guys,” she said before the premiere, calling it a twisty, twisted crime thriller. She also described the exact discomfort the show is engineered to produce, framing it as the question the audience ends up asking itself: am I identifying with the serial killer, and do I hope she pulls this off? That is the whole show in one sentence. It is also, we would argue, why it earned a renewal early. A series that makes you complicit is a series people talk about on Tuesday morning.

Petticrew, for their part, has been generous about where the performance came from. “I was very lucky that when I signed on, Liz’s material is so strong, and there’s already so much there,” they said, which is the sort of thing actors say all the time and which happens to be verifiable in this case: Catherine works because the writing refuses to make her either a monster or a hero, and holds that line for eight straight episodes. Rossum is also an executive producer on the series through her production company, so this is not a hired gun performance either. She has skin in it.

What we do not know is almost as interesting as what we do. Hulu has not said how many episodes season 2 will run. Nobody has confirmed whether the second season continues Alice and Catherine’s story or resets into something closer to an anthology with a new case. Meriwether has talked around it in a way that reads like continuation rather than a clean slate, telling TheWrap she needed “to find an ending where we feel satisfied, but that we can go on,” and adding that “we have to wrap up some things, but not all things. We need to create more problems.” That is a showrunner describing a season finale she wrote knowing she wanted more, which makes the early renewal look less like a gamble and more like a conversation that had been going on for a while.

Worth being straight about one thing: no named Hulu executive has been quoted anywhere in the renewal coverage, and the only rationale attached to it is that viewership has climbed week over week since the July 27 premiere. That is thin as an official statement goes. But the release pattern tells its own story. Hulu dropped the first three episodes at once and then went weekly on Mondays, which is the strategy you use when you believe a show will build by word of mouth rather than get devoured in a weekend. Renewing before the finale is the same bet, placed again with more information.

So the BR take is that this is the rare renewal that actually means something. Streamers cancel good shows constantly, usually after making everyone wait two months for a decision, and the graveyard of one season prestige thrillers is deep enough at this point that fans have learned not to get attached. “Furious” got its second season handed over before the first one had finished airing, from a platform that had every incentive to wait. If you have been holding off because you did not want to invest in another show that gets strangled in its sleep, that particular excuse is gone. Watch the finale Monday knowing it is not an ending.

What Do You Think? Should season 2 keep following Alice and Catherine, or reset as an anthology with a new case and a new killer? Does a show this dependent on moral discomfort have a second season in it, or does the trick stop working once you know the game? And is an early renewal genuine confidence from Hulu, or just a cheap way to keep an audience from bailing before a finale?

See you on the next binge!

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