By order of the Peaky Blinders, the Shelby family is back. After years of speculation, the long-promised “Peaky Blinders” movie has revealed its title, its release plan, and its first tantalizing look, and it confirms the news fans have been desperate for: Tommy Shelby (Cillian Murphy) is returning. Titled “Peaky Blinders: The Immortal Man,” the film continues the saga of Birmingham’s most dangerous family beyond the acclaimed television series, and it is arriving in early 2026 with a stacked cast and a bold new historical backdrop. Light up a cigarette. The cobblestones are calling.
Let us appreciate the significance of Murphy’s return specifically. In the time since “Peaky Blinders” ended its television run, Cillian Murphy became a full-fledged movie star and Academy Award winner, his stock rising to heights few would have predicted when he first pulled on Tommy Shelby’s flat cap. That he is returning to the role that made him a cult icon — and producing the film as well — speaks to how much this character and this world mean to him. Tommy Shelby is one of the great television antiheroes, a razor-sharp, trauma-scarred gangster building an empire from the ashes of the First World War, and Murphy’s magnetic, haunted performance is inseparable from the role. Warning: beyond this point there are spoilers for the Peaky Blinders series and where Tommy Shelby’s story is heading.
By order of the Peaky Blinders, the Shelby family is back.”
The setting is where “The Immortal Man” gets genuinely thrilling. Rather than simply picking up where the series left off, the film vaults into the Second World War, unfolding amidst the Birmingham Blitz in November 1940. The plot reportedly involves a Nazi Germany scheme to cripple Britain’s economy by flooding it with counterfeit currency, aided by pro-Nazi agents on British soil. Dropping the Shelby family into the chaos and danger of the Blitz, pitting their criminal cunning against a Nazi plot, is a spectacular escalation of stakes — a natural, epic canvas for a story that has always been about power, survival, and Britain in turmoil.
The film reunites series creator Steven Knight, who wrote the screenplay, with a cast that blends beloved returning faces and heavyweight newcomers. Series regulars including Sophie Rundle and Stephen Graham are back, preserving the family core that made the show sing, while the new additions are a murderers’ row of talent — Rebecca Ferguson, Tim Roth, and Barry Keoghan among them. That is a seriously formidable ensemble, the kind that signals this is being made as a genuine cinematic event rather than a mere extended episode. Tom Harper directs, bringing the sweeping visual ambition the material demands.
The release strategy reflects that ambition too, with the film set for a theatrical run before landing globally on Netflix, giving the Shelbys the big-screen presentation their operatic story has always deserved while ensuring the show’s massive streaming audience can eventually catch up at home. It is a smart hybrid rollout for a property that grew into a phenomenon on streaming but has always felt cinematic in its scope, style, and swagger.
“Peaky Blinders” was always more than a gangster show — it was a stylish, soulful epic about ambition, family, and the long shadow of war, elevated by one of the best ensembles on television and a swaggering, anachronistic energy all its own. Continuing Tommy’s story into the Second World War, with the full weight of a feature film and a cast this strong, is exactly the kind of grand finale, or grand continuation, the saga has earned. The stakes have never been higher, and neither has the Shelby family’s danger.
For those of us tracking “Peaky Blinders” as one sprawling chronicle of Tommy Shelby’s rise — from the razor-capped streets of post-war Birmingham to the corridors of power — “The Immortal Man” is the next, biggest chapter yet. Murphy is back, Knight is writing, and the Shelbys are squaring off against the Nazis amid the fire and rubble of the Blitz. It is an epic escalation for a family that has never known when to stop climbing. By order of the Peaky Blinders, the story continues — and this time, it is going out on the big screen.
What do you think? Does setting the “Peaky Blinders” movie during the WWII Birmingham Blitz sound like the epic escalation the saga deserves, or a departure from what made the series special? Is Cillian Murphy’s return as Tommy Shelby, now an Oscar winner, the biggest draw, or are you more excited for the stacked new cast? And should “The Immortal Man” be a definitive finale for the Shelby family, or the launch of a whole new big-screen era?
See you on the next binge!
